Katharina Kaminski (Montevideo, 1994) is a Paris-based visual artist working with sculpture and installation, primarily in ceramics, bronze, and marble. Following an autodidactic and intuitive approach, Kaminski ‘gives live’ to clay beings. Her work often evokes alternative living forms, each piece reflecting unique articulations of presence and embodiment.

Fire appears in her work as a contrasting elemental force, a catalyst that interacts with her sculptures from within, establishing a tension between light and shadow. In this interplay, Kaminski sculpts not only the material form but also the presence of the light itself, extending the work into a dynamic spatial experience.

Her first solo exhibition, Womb, at Sainte Anne Gallery in Paris, takes its title from the feminine reproductive organ the artist was not born with. The exhibition positions the womb as a metaphor for fertile potency beyond biology—one that Kaminski reclaims for herself—uncovering layers of stigma and secrecy, it presents a deeply intimate exploration that informs her practice while simultaneously opening a space for dialogue and awareness around intersex bodies.

Alongside her artistic career, Kaminski has worked internationally as a model, an experience that deepened her exploration of the body, shaping her understanding of movement, presence, and gesture. Through this intimate work with the corporeal, she reflects on what exists beyond the physical, exploring how the carnal and earthly can gesture toward layers of meaning and perception that extend beneath the visible.